A lively and initially upbeat farce, this three-part British limited series is a nimble portrait of a man who could not understand his mistakes even as he pretended to apologize for them. As in 2018 A very English scandal The story revolves around a fantastic but failed crime. But it’s less about the corrupt establishment and more a reflection on male madness, punctuated with a sword-like joke.
Much of the comic subtlety comes from Macfadyen’s theatrically exaggerated facial features. As the story grows more and more focused on Stonehouse’s wife, Barbara (Keeley Hawes, Macfadyen’s wife), her support gradually erodes before she delivers a verdict he can’t avoid. It all falls under Truth is stranger than fiction, but John Stonehouse has an inexplicable quality that makes the show and Macfadyen resonate. There is no substance behind his many follies.
Super League: The War for Football
While serving in part as an introduction to American audiences less familiar with European football, this docuseries is a comprehensive exploration of the tradition-breaking announcement in April 2021 that 12 of the continent’s biggest clubs would host a breakaway midweek competition wanted to start. A backlash at all levels halted the program within days, but this richly produced narrative – the graphics are exceptional, for example – details the money, the tradition and the key figures, particularly the crisis’ first responder, the stalwart UEFA boss Aleksander Ceferin .
Happen and Leonard
“Do I look like an idiot to you? “And then some!” One of several aromatic, offbeat crime dramas commissioned following breaking Bad This series, set in 1980s East Texas, grew big and ran for three seasons starting in 2016. Adapted from the novels by Joe R. Lansdale, plays James Purefoy (The following) and the late, great Michael Kenneth Williams (The cable) as the titular best friends who sidestep the law and their own good intentions in a narrative rich in machinations, subtle moral observations, and insightful racial politics.
There’s a great deal of energy from Nic (Winding Refn) in this dark underworld drama, which means that like many of the Danish auteur filmmaker’s other works, his films are featured drive, Only God forgivesand The neon demon – there’s vicious crime horror, meticulously slow pacing, menacing camera pans and a wealth of trauma-laced dry humor. The rain‘s Angela Bundalovic plays the detached Miu, a sort of sacred totem bought by expatriate Serbian gangsters who embark on a revenge odyssey through Copenhagen’s underworld. It’s the ultimate distillation of Refn’s imagery: a noir-suffused dead end.
This low-budget American blockbuster is a story about identity and trust that moves from the uncomfortable to the frightening. Beginning as a feature about a double-booked Airbnb in the Detroit wilderness, it descends into an underworld of tunnels, both physical and psychological, as Tess (Georgina Campbell) and Keith (Bill Skarsgard) experience monstrous trauma. There are moments of dark humor – it’s real estate horror, after all – but they also reflect generations of misogyny and exactly what emerges from it. It’s enormously effective.
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https://www.smh.com.au/culture/tv-and-radio/velma-mindy-kaling-s-scooby-doo-prequel-opens-with-gusto-20230113-p5ccbs.html?ref=rss&utm_medium=rss&utm_source=rss_culture Streaming Review: Velma, Stonehouse and Super League: The War for Football