Rolling off a robust yr for Scandinavian filmmaking, the digital 44rd version of the Goteborg Movie Competition will kick off with Zaida Bergroth’s “Tove” which can compete alongside Thomas Vinterberg’s “One other Spherical” and Ninja Thyberg’s “Pleasure,” amongst different Nordic pics.
Telling the story of certainly one of Finland’s most beloved and galvanizing artists, “Tove” broke B.O. data in Finland final yr despite the pandemic and now ranks as the best grossing Finnish movie within the final 40 years.
“Tove,” which can also be Finland’s Oscar candidate, will probably be one of many seven movies vying for the Dragon Award Finest Nordic Movie. The lineup contains “One other Spherical,” one of the vital outstanding titles in Cannes 2020’s official choice, and “Pleasure,” which is about to world premiere at Sundance, in addition to Ronnie Sandahl’s “Tigers,” Lisa Jespersen’s “Persona Non Grata,” Itonje Søimer Guttormsen’s “Gritt” and Magnus von Horn’s “Sweat.”
Goteborg will shut with the European premiere of Frida Kempff’s “Knocking,” a nerve-wrecking psychological drama.
Ruben Östlund, the Palme d’Or profitable helmer of “The Sq.” who ranks as certainly one of Europe’s most celebrated auteurs, will obtain the 2021 Nordic Honorary Dragon Award. Östlund, whose upcoming movie “Triangle of Unhappiness” is anticipated to unspool at a pageant later this yr, will give a masterclass on Feb. 4 as a part of the tribute.
Operating on-line from Jan. 29 to Feb. 8, this yr’s uncommon version will present a complete of 70 movies from 39 international locations.
“In such a particular yr we’re really grateful that filmmakers and proper holders trusted us to shine a highlight on their films,” stated Jonas Holmberg, Goteborg pageant’s programmer. “We’re keen to point out these movies and our mission will probably be to create an occasion for every movie, in addition to some pleasure,” added Holmberg.
“With theaters closed and so few movies launched, it’s vital for us at Goteborg to stir some pleasure and have interaction audiences, which is why we’ll do each day podcasts with filmmakers and conferences, amongst different initiatives,” stated the creative director. Holmberg stated he and his crew had been in a position to comply with a flurry of digital festivals they usually received a transparent thought of what labored and what didn’t work, in order that they designed Goteborg’s program accordingly.
Every movie can have a screening with a set slot, with 4 new premieres per day. “We’ve a small program so we wish to be sure we correctly spotlight every movie,” stated Holmberg.
“On a traditional yr, we current an unlimited program of 350 movies from 80 to 90 movies to offer a panorama of movies around the globe. This yr, it’s unattainable to have the identical depth, however we managed to place collectively a very robust lineup,” stated Holmberg, who added that 47% of movies in this system are directed by girls.
The worldwide competitors, in the meantime, contains “Starting” by Dea Kulumbegashvili, “By no means Gonna Snow Once more” by Malgorzata Szumowska and Michał Englert, “Evening of the Kings” by Philippe Lacôte, “Quo vadis, Aida?” by Jasmila Žbanić, “Slalom” by Charlène Favier, and “The Macaluso Sisters” by Emma Dante.
The Ingmar Bergman’s competitors for greatest first movie contains “Gagarine” by Jérémy Trouilh and Fanny Liatard,
“Liborio” by Nino Martínez Sosa, “Mama” by Li Dongmei, “Limbo” by Ben Sharrock, “The Final Bathtub” by David Bonneville,
and “The Salt in Our Waters” by Rezwan Shahriar Sumit.
The Nordic documentary competitors contains “A Track Referred to as Hate” by Anna Hildur, “Aalto” by Virpi Suutari,
“Be My Voice” by Nahid Persson, “Flee by Jonas Poher Rasmussen, “Into the Fog” by Maciej Kalymon,” and
“Radiograph of a Household” by Firouzeh Khosrovani.